Film

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Disruptive Infrastructures

Where do the escape routes from the Yugoslav war in 1992 and the paths of a highway construction plan from 2020 intersect? Amel Bešlagić traces the trajectories of these entangled routes in his hometown Kozarac, Bosnia and Hercegovina. In two short films he maps and mirrors both the visible and invisible trails of radical topographical and social dislocation in the small town. These regional transformations – driven by war, migration, foreign investments, infrastructural policy, and land politics – reflect the condition of many former Yugoslav territories.

Performance: Amel Bešlagić, architect, artist, filmmaker, Graz

Panel: Disruptive Infrastructures
Gregor Pirgie, art historian, Natural History Museum of Vienna
Phillip Sattler, IZK Institute for Contemporary Art, Graz
Moderation: Noit Banai, Diaspora Aesthetics, Academy of Fine Arts Vienna & Hamida Sivac, art historian, University of Vienna

Mirage (2024), R: Amel Bešlagić, 5 min., English / Subtitles in English
Routes of Hope (2024), R: Amel Beslagic, Screening-Performance 20 min., English / Subtitles in English

Künstler*innenateliers als Portraits

Studio Identity as Portraits of Artists zeigt die spezifische Umgebung von Künstler*innenateliers jenseits des traditionellen Mythos vom einsamen künstlerischen Genie. Über diesen Zugang begegnen wir den Künstler*innen Nika Kupyrova, Romana Hagyo und Silke Maier-Gamauf in ihren Schaffensräumen, sowie der Musikerin Anna Černíková, die den Soundtrack komponiert hat.

Nika Kupyrova, Künstlerin, Wien
Romana Hagyo und Silke Maier-Gamauf, Künstler*innenduo hagyomaiergamauf, Wien
Anna Černíková, Musikerin, Prag
Moderation: Vasilena Gankovska, Künstlerin, IG Bildende Kunst, Wien

Studio Identity as Portraits of Artists (A/CZ 2024), R: Lenka Štěpánková, 27 min., OmeU